About Me

Friday, January 25, 2013

the soundtrack of long life


Did you hear what happened to Jenny Droe?
Couldn't believe it but it's true
Twenty-six and now she's dead
I wish that I could've died instead

Did you hear what happened to Jenny Droe?
Did you see how thin and pale she grew?
So much suffering, could not hide
Endless heartache until she died

Did you hear what happened to Jenny Droe?
Strike me dead, make it a truce
Strike me dead, let me go
Nothing that I didn't know

Did you hear what happened to Jenny Droe?
I couldn't believe it but it's true
Twenty-six and now she's dead
I wish that I could have died instead

Nothing That I Didn't Know


I sat me down to write a simple story
Which maybe in the end became a song
In trying to find the words which might begin it
I found these were the thoughts I brought along

At first I took my weight to be an anchor
I gathered up my fears to guide me 'round
But then I clearly saw my own delusion
And found my struggles further bogged me down

In starting out I thought to go exploring
And set my foot upon the nearest road
In vain I looked to find the promised turning
But only saw how far I was from home

In searching I forsook the paths of learning
And sought instead to find some pirate's gold
In fighting I did hurt those dearest to me
And still no hidden truths could I unfold

I sat me down to write a simple story
Which maybe in the end became a song
The words have all been read by one before me
We're taking it in turns to pass them on
Oh, we're taking it in turns to pass them on

Pilgrim's Progress


Your multilingual business friend
Has packed her bags and fled
Leaving only ash-filled ashtrays
And the lipstick unmade bed
The mirror on reflection
Has climbed back upon the wall
For the floor she found descended
And the ceiling was too tall

Your trouser cuffs are dirty
And your shoes are laced up wrong
You'd better take off your homburg
'cos your overcoat is too long

The town clock in the market square
Stands waiting for the hour
When its hands they both turn backwards
And on meeting will devour
Both themselves and also any fool
Who dares to tell the time
And the sun and moon will shatter
And the signposts cease to sign

Your trouser cuffs are dirty
And your shoes are laced up wrong
You'd better take off your homburg
'cos your overcoat is too long … (3 X)

Homburg, Procol Harum


A clutch of perhaps lesser-known songs by a great band, for the education of the masses, who may have only heard of A Whiter Shade of Pale or of Salty Dog. Procol Harum were the first band the Fool saw live, in 1973, in Cascais. Younger generations, spoiled for choice in the avalanche of concerts available to them today, can have no conception of what it meant to us at the time.





life lessons that are priceless – beware of the bear

«Once upon a time, in a far-off mountain country, there lived, quite unaware of each other, a hunter and a bear.

It was late autumn, almost winter, and the hunter needed a fur coat nearly as much as the bear needed a last good meal before settling down to his snow-bound sleep.

The hunter trudged off into the October-emptied forest and, as the darkness gathered among the trees, rounded a jagged outcrop of mountain-rock to find himself face to face with the bear. As he clapped his rifle-butt to his shoulder, he was paralysed with astonishment when the bear spoke to him. You will understand that, though all this happened long ago, even then it was most unusual for bears to speak. So one cannot blame the hunter for his hesitation.

"Look", said the bear, "surely we can settle this matter in a friendly manner? There is always room for compromise". While the hunter, not a very bright man, was considering this extraordinary proposition, the bear struck him a heavy blow under the left ear and he fell down dead.

The bear then proceeded to eat the hunter, and a totally satisfactory compromise was thereby reached. The bear had his meal and the hunter had his fur coat."

Compromise, Christopher Wilson


wild life (3)


A blue tit making free with the Begum's pelargoniums 
(another pic taken through double glazing, sorry, but that's 
the only way to approach them). The description of its habits 
in a Collins Field Guide to the Birds of Britain and Europe 
would have one believe it was feeding on insects 
(thereby freeing the plants from unwelcome pests) 
and seeds (thereby preparing to disseminate them far and wide). 

To me, it looked suspiciously like it was gorging on succulent leaves, 
rather, all the better to face the cold and the fifty-knot winds 
of last Saturday on the Hill …



… which other denizens of the wilderness, apparently caught unawares on an expanse of glass, seemed to be confronting in a peculiar way all their own: communally, as is their wont, for all the world like settlers circling the wagons to repeal the indians (oops, Native Americans). 



The following day, with the wind gone, they were gone too, back to the cozy protection of their colony no doubt, there to tell stories of high adventure and hardy endurance to a million admiring compatriots.

Thursday, January 24, 2013

the soundtrack of long life



So long, Frank Lloyd Wright.
I can't believe your song is gone so soon.
I barely learned the tune
So soon
So soon.

I'll remember Frank Lloyd Wright.
All of the nights we'd harmonize till dawn.
I never laughed so long
So long
So long.

CHORUS
Architects may come and
Architects may go and
Never change your point of view.
When I run dry
I stop awhile and think of you

So long, Frank Lloyd Wright
All of the nights we'd harmonize till dawn.
I never laughed so long
So long
So long.

So Long, Frank Lloyd Wright, Simon & Garfunkel





Eu quero uma casa no campo

Onde eu possa compor muitos rocks rurais

E tenha somente a certeza
Dos amigos do peito e nada mais

Eu quero uma casa no campo

Onde eu possa ficar no tamanho da paz

E tenha somente a certeza
Dos limites do corpo e nada mais

Eu quero carneiros e cabras

Pastando solenes no meu jardim

Eu quero o silêncio das línguas cansadas
Eu quero a esperança de óculos
E meu filho de cuca legal
Eu quero plantar e colher com a mão
A pimenta e o sal

Eu quero uma casa no campo

Do tamanho ideal, pau-a-pique e sapé

Onde eu possa plantar meus amigos
Meus discos e livros e nada mais

Onde eu possa plantar meus amigos

Meus discos, meus livros e nada mais

Onde eu possa plantar meus amigos
Meus discos e livros e nada mais

Casa no Campo, Elis Regina


life lessons that are priceless – architects



«… if you asked a leading architect for an apple he would sharpen his pencils, draw an orchard and charge you twenty grand. And that would probably still only get you to the planning stage. An expensive architect will save you the most money, but the only way to ever save money is by spending more money than you wanted to in the first place, so any kind of architect is always the start of a slippery slope.»

All Cheeses Great and Small – A Life Less Blurry, Alex James


«An architect is said to be a man who knows very little about a great deal and keeps knowing less and less about more and more until he knows practically nothing about everything, whereas on the other hand an engineer is a man who knows a great deal about very little and who goes along knowing more and more about less and less until finally he knows practically everything about nothing. A contractor starts out knowing everything about everything, but ends up knowing nothing about about anything, due to his association with architects and engineers.»

Doug Oldham, of Oldham Hirst Design


«Mies aimed expensively for perfection. He had the welds in the steel ground down, and joints in the stone paving made exceptionally fine. […] His obsessiveness made the house beautiful, but like a tomb it is happier if its resident doesn't make her presence felt. Faithful to the contempt for comfort shown by Taut and his allies, Mies designed a house that would overheat, steam up in the cold, and – as he fought against spoiling it with mosquito nets – become infested with insects. […] Now it is uninhabited and can be visited by arranged tour.»

Rowan Moore on the Farnsworth House, in Why We Build

life on the hill – a potted history (2)


The price was right, too—much cheaper than equivalently-sized plots in the pine forest below. Which should have set the alarm bells ringing. But such bells as there may have been were of joy, and delight, and excitement in the examination of possibilities. 

The Princess, all of 5 or 6 years-old, was the first to throw her hat into the ring, with a fashionably minimalist proposal.





Another couple of concepts from other quarters also more or less immediately offered themselves, seemingly self-evident like the truths in the American Declaration of Independence—one was a long house tumbling down the hill like a great train along the centreline of the plot, with judicious kinks worked into the plan here and there, to open rooms to the views; the other, conversely, was sat athwartships on the land (across the grain as it were), more compact due to the narrowness of the available space (so cheaper), but requiring some solution to the problem of giving all rooms good sun exposure and as much of a view as possible (no north-facing windows in other words).

Athwartships won. 

In the event, the long house never made it to paper (not even as the traditional few lines on the back of a napkin). As envisaged in the mind's eye, it simply created more problems, and required the ability to deal with more complexity, than we were prepared to tackle. 

So sketches began to be sketched, and ideas bandied about (the basic requirements having long been set – since I was 10 or 12, in fact, and first started dreaming of building a house for myself …) 





And then came the catch, in the form of a call from the zoning authorities – the plot was in a protected environment zone, sorry. Off-limits to construction. 

Negotiations ground to a halt.

Wednesday, January 2, 2013

the soundtrack of contemporary life



How was I to know that this was always only just a little game to you?
All the time I felt you gave your heart I thought that I would do the same for you,
‘Tell the truth I think I should have seen it coming from a mile away,
When the words you say are,
“Baby I’m a fool who thinks it’s cool to fall in love”

If I gave a thought to fascination I would know it wasn’t right to care,
Logic doesn’t seem to mind that I am fascinated by the love affair,
Still my heart would benefit from a little tenderness from time to time, but never mind,
‘Cos Baby I’m a fool who thinks it’s cool to fall in love

Baby I should hold on just a moment and be sure it’s not for vanity,
Look me in the eye and tell me love is never based upon insanity,
Hear the way my heart is beating every other moments fleeting,
Kiss me now,
Don’t ask me how,
'Cos Baby I’m a fool who thinks it’s cool to fall,
Baby I’m a fool who thinks it’s cool to fall,
And I would never tell if you became a fool and fell in love.

Baby I'm a Fool, Melody Gardot

life lessons that are priceless – the salvivic properties of the perfect martini


"The rat stops gnawing in the wood, the dungeon walls withdraw, the weight is lifted […] Your pulse steadies and the sun has found your heart. The day was not bad, the season has not been bad, there is sense and even promise in going on."

The Hour: A Cocktail Manifesto, Bernard DeVoto

life of riley (2)



It is like this: first, you shoot your partridges …





If – like the great Digby Anderson once wrote – “for some unaccountable reason you don’t shoot yourself”, cadge them from a friend who does. If (gasp!) you don’t know anyone who does, I suppose you can get them, in season, from one of the better charcuteries. But good luck finding the wild pigeon and the snipe (of which more later), other than by shooting them yourself.

The house party assembles on the night before The Night – the venue will have been decided upon some months before, during the course of any number of preparatory meals. 


People will arrive at different times, tired from the long drive and a year’s hard toil. There is usually some catching up to do, but conversation is desultory, the jokes poor, and after a light meal it is gratefully to bed. 

In the morning it’s a new day.

Breakfast – café au lait or tea, thick toasted slices of farm bread, fresh butter and homemade jam – rejuvenates bodies and souls and should keep them together till luncheon. Then the males of the species get organized in one or two squadrons for a sortie to the market and the butcher’s. The women stay home to do whatever it is that they do (oh, I’ll pay for this …).

At the butcher’s and the market it is a quick job for each squadron leader to identify the meats and produce that we’re after – various cuts of prime beef, lean pork, spare ribs, free-range chicken and several types of smoked sausage (chouriço, linguiça, farinheira, morcela). Also, cabbage, salad greens, tomatoes, fruit – and for their respective wing men to check and settle the bills. 


Then, a short drive to have a look at the estuary and the fishing boats in their winter repose, and back home to another light meal – scrambled eggs and green asparagus, perhaps, water or beer, fruit. The talk will be of next summer’s boating trips or great feats of past sailing or shooting prowess (for old minds are prone to embellishing the ordinary), and of the promise of future voyages and days in the field, and of next year's parties. After that, coffee, a book, the day’s papers, a quick siesta.

Come four o'clock, with anticipation mounting, most will be ready for a bracing walk before turning to the serious matters of the day. So, it’s out of the house and into the trees, across the moors, over the dunes and down to the cliffs overlooking the sea – if you strike due west from here Maryland will be the next thing you hit (you may want to think twice about embarking on a such a venture, though, for it would be upwind all the way).






With the light waning and the temperature plummeting, it’s back to the House to light a fire, and to have some tea. It is also at about this time that the first bottle of champagne may be breached. More will follow, to be aligned as they are emptied on top of the wall outside, ready for target practice the next morning. 


In the kitchen, it's time to make a start on the soup. Bring a large pot of water to the boil, add all the meats and sausages from the butcher's, season to taste (salt, pepper, a bay leaf), lower the heat and leave to simmer, half covered, for an hour or three. Strain and clarify the stock, which you may now call a consommé. Save the meats for another day. Just before serving, bring the consommé back to the boil and add a few carrot sticks and, after a couple of minutes, one small leaf of cabbage, shredded, per person. Poach for another couple of minutes (leaving the vegetables still crunchy) and serve, piping hot. Simple, sophisticated, delicately smokey (from the sausages); the cabbage and the carrot add visual attraction and texture (and the requisite portion of vegetables to make one feel virtuous). 

And it clears the palate for what is to follow – your partridge stuffed with your pigeon stuffed with your snipe, one of each bird for every two of your party. This will have been prepared while the stock was simmering, as it takes time and hard labour. Thus the need for the bracing walk beforehand; and for all that champagne – to lighten the load. 

Pluck and draw the birds (quick, if messy), blanch and bone them (difficult, exasperating and time consuming). Season each bird separately (and lightly, each seasoning adding to the total), then stuff each pigeon with a snipe and each partridge with both. Cover with strips of bacon and carefully tie the precious bundles … after which, I’m afraid, je dois vous laisser sur vôtre faim (as it were), this being a friend’s creation, its secrets not to be divulged outside a restricted circle.  (Besides, most of the details were lost on the Fool, a mere kitchen helper, with his reasoning more than usually fogged by bubbly vapours). But there may have been chestnuts in the pot, and there was certainly olive oil and onions, and garlic, and bay leaves, and wine. Whatever. 

Before serving, cut the birds in half lengthwise, one half to each guest, and lay them cut side down on a slice of freshly fried bread. It may sound busy, or that the birds may lose their specific flavours in the melting pot. But they don’t: the snipe, gamey and strong, the pigeon, subtle, the partridge, delicate.

Serve with wild rice and a simple salad with sauce vinaigrette (salt, pepper, equal dashes of extra virgin olive oil and white wine vinegar. Some mustard if you like. It's not rocket science, so leave the processed seasonings to lazy cooks, please  – and the balsamic vinegars to pretentious metrosexuals). 

We switch to a good red wine for this, Chrysea or Quinta do Vale Meão if we’re feeling flush (or you may stay with the champagne, which some do). And clear spring water (still, not sparkling, at 15 degrees Celsius, not chilled).

For dessert, mixed slices of Algarve oranges and Azorean pineapple, lightly sugared (to bring out the juices). 

Then, coffee or tea; Fortnum & Mason’s chocolate squares with raisins; brandy and liqueurs; Stilton, walnuts and Port; cigars. Take your pick. Pick several.

Lean protein, moderate carbs, plenty of veg, wondrous flavours from local products put on the table by hunter-gatherer-cooks, a soupçon of indulgence from foreign lands. Simple yet exclusive, the New Year’s Eve supper of kings.

Thank you, my dears.